By: Diary of a Film Startup Part 17: How KinoNation Works | Truly Free Film
[...] Tier One QC: We have very strict technical specs for the upload, since the last thing you want is to upload a massive file for a week, only to have [...]
View ArticleBy: First Review | Cinematica
[...] pass — that’s what computers do so well. And that’s the reason we’re so rigid about our film upload specs and metadata requirements — we can only package & distribute high quality films when...
View ArticleBy: Diary of a Film Startup: Post # 23: Countdown to Launch | Cinematica
[...] pass — that’s what computers do so well. And that’s the reason we’re so rigid about our film upload specs and metadata requirements — we can only package & distribute high quality films when...
View ArticleBy: Diary of a Film Startup: Post # 23: Countdown to Launch | Truly Free Film
[...] pass — that’s what computers do so well. And that’s the reason we’re so rigid about our film upload specs and metadata requirements — we can only package & distribute high quality films when...
View ArticleBy: admin
We’re using the latest browser standards for example to power browser-based upload of 300 GB+ video files, resume upload, multi-location upload etc. We’ll lift this limitation as other browsers support...
View ArticleBy: Diary of a Film Startup: Post # 26: How to Avoid Rejection | Truly Free Film
[...] set of metadata, and a subtitles file if the film audio is anything other than English. The tech specs for uploading these assets are simple — but very specific. The last thing you want is to [...]
View ArticleBy: Diary of a Film Startup: Post # 26: How to Avoid Rejection | Truly Free Film
[...] set of metadata, and a subtitles file if the film audio is anything other than English. The tech specs for uploading these assets are simple — but very specific. The last thing you want is to [...]
View ArticleBy: Robert W. Filion
Apple ProRes 422 HQ only? That limits you to Mac users. How can PC users get a file to you? The Avid DNXHD CODEC is quite excellent, and universal.
View ArticleBy: admin
Sorry for the limitations at this point, Robert. Reasons: a) we need to focus our resources to most “popular” scenarios – but only for our initial release, and b) a technical detail of DNxHD seems to...
View ArticleBy: Maria Peck
Thanks for this man. I’ve actually been looking for a good list just like this. Thanks & rep added for sure.
View ArticleBy: Danielle
Do you accept 29.97 fps which is the original frame rate of the film or do I have to convert to 23.98 or 24fps?
View ArticleBy: admin
If it’s interlaced then yes, you need to convert. If it is 29.97 progressive then you can stay with that native frame rate.
View ArticleBy: Paul Hemann
In spec’s you want uncompressed file of master.. and/ or Pro Res HQ ? or both ? and if so does the uncompressed need be 8 or 10 bit ? Thank you..
View ArticleBy: admin
Our Upload Spec calls for Apple ProRes 422 HQ. We don’t make any reference to “uncompressed.” ProRes 422 HQ is always a sample depth of 10 bits.
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